The Hollywood Blacklist Myth : May 2021

Jack Gilford wasn't blacklisted

Jack Gilford didn’t have much of career in film or TV before 1960. He had two non-speaking roles in film as an extra prior to 1950 and one walk on television credit.

In 1956 he told the House un-American activities subcommittee that he was "blacklisted” in the entertainment field because his name once was listed in "Red Channels’’

He was not a communist but refused to say whether he had resigned from the party specifically to be able to sign an affidavit of non-membership in the party.

Gilford invoked the Fifth Amendment in reply to questions on whether he had ever been a member of the party however.

1959-1961

Play of the Week (TV Series)

- Waiting for Godot (1961)

- World of Sholom Aleichem (1959) ... Bontsche Shveig / Angel

1959

The World of Sholom Aleichem (TV Movie)

Look After Lulu (Mar 03, 1959 - Apr 04, 1959)

Play

1958

Drink to Me Only (Oct 08, 1958 - Dec 13, 1958)

Play

Romanoff and Juliet (Oct 10, 1957 - Sep 13, 1958)

Play

1956

The Edge of Night (TV Series)

The Diary of Anne Frank (Oct 05, 1955 - Jun 22, 1957)

Play

1953

Main Street to Broadway

1951

All Star Revue (TV Series)

The Billy Rose Show (TV Series)

1950

Musical Comedy Time (TV Series)

- Hit the Deck (1950)

Star Time (TV Series)

1949-1950 Actor's Studio (TV Series)

- Screwball

- Here Comes Spring

Alive and Kicking (Jan 17, 1950 - Feb 25, 1950)

Musical Revue

The Live Wire (Aug 17, 1950 - Sep 09, 1950)

Play

Agent Unlce Walt

Walt Disney started reporting on the Hollywood crowd to the FBI 1941, and continued reporting to them until his death. How much Walt could have told them is debatable since all of Hollywood knew him to be a member of the Alt-right. The Bureau made him an honorary agent in the 1960s.

The problems we have with the Hollywood left

The problem we have with the Hollywood left is it's the notion that accepting differences is no longer good enough, you have to be complicit in them. The problem we have with the Hollywood left it's the notion that any differing opinion is a threat to your very way of existence but never the opposite. The problem we have with the Hollywood left is the blatant hypocrisy of claiming to care about democracy well on abashedly striving to take control of every step of the political process. The problem we have with the Hollywood left is the notion that any idea or opinion outside of your own ideology is morally repugnant and therefore needs to be silenced. The problem we have with the Hollywood left is the notion that your goals must be achieved using everyone resources regardless on whether they agree. The problem we have with the Hollywood left is their supporting of rights situationally when convenient and the outright rejection of those rights when it's in it's the inconvenient for you. The problem we have with the Hollywood left isthat somehow you know what's best for me enough to allow the government to make that choice for me The problem we have with the Hollywood left it's their failure to see the irony in labeling anyone different than yourself as an extremist or a fundamentalist. Originally written by Jason Blood. Edited for this page.

Just because someone’s name appeared in Red Channels, that doesn’t mean they were blacklisted. It just means there name appeared in Red Channels.

Just because a person said they were blacklisted doesn’t mean they were. Many people in Hollywood have lied about being blacklisted over the years.

If a person was actually blacklisted…and not many were actually blacklisted….it was the studios and TV sponsors who blacklisted them. Not the United States federal government.

If a person claims the blacklist ruined their career, they should be able to prove they had a career before the blacklist.

For the most part, front organizations assumed the character of either a mass or membership organization or a paper organization. Both solicited and used names of prominent persons. Literally hundreds of groups and organizations have either been infiltrated or organized primarily to accomplish the purposes of promoting the interests of the Soviet Union in the United States, the promotion of Soviet war and peace aims, the exploitation of Negroes in the United States, work among foreign-language groups, and to secure a favorable viewpoint toward the Communists in domestic, political, social, and economic issues. The first requisite for front organizations is an idealistic sounding title. Hundreds of such organizations have come into being and have gone out of existence when their true purposes have become known or exposed while others with high-sounding names are continually springing up. J. Edgar Hoover on the subject of Communist front organizations. March 26, 1947