The Hollywood Blacklist Myth : Doubtfully blacklisted ; William N. Robson

Doubtfully blacklisted ; William N. Robson

William N. Robson, radio and TV writer: Robson was active as a sponsor and speech giver for numerous Communist front organizations during the 1940s. In 1950, Red Channels named him as a communist sympathizer. Aside from his considerable work in television during the years when he was supposedly blacklisted, Robson worked virtually nonstop on radio as a performer, producer and director.

1958

Producer/director for CBS Radio's "Luke Slaughter of Tombstone"

1957

The Land Unknown (adaptation)

Gunsmoke (TV Series) (screenplay by - 1 episode)

- The Cover Up (1957) ... (screenplay by)

1956

Highway Patrol (TV Series) (screenplay - 1 episode)

- Taxi... (screenplay)

Navy Log (TV Series) (screen play by - 1 episode)

- Men from Mars (screen play by)

Scriptwriter for CBS Radio's "Fort Laramie"

One of the directors for "The CBS Radio Workshop"

Producer (1956-1962) and director (1958-1960) for CBS Radio's "Suspense."

1955

Captain Gallant of the Foreign Legion (TV Series) (screenplay - 4 episodes)

- The Boy Who Found Christmas (1955) ... (screenplay)

- The Legion Is Our Home (1955) ... (screenplay)

- The Dagger of Judah (1955) ... (screenplay)

- Carnival in Zagora/The Evil Men Do ... (screenplay)

Schlitz Playhouse (TV Series) (teleplay - 1 episode)

- Two-Bit Gangster (1955) ... (teleplay)

Paris Precinct (TV Series) (teleplay - 1 episode)

- The Actress (1955) ... (teleplay)

1954

Hazard House (Short) (original story) / (screenplay)

1950

Producer for TV mystery series Sure as Fate.

The problems we have with the Hollywood left

The problem we have with the Hollywood left is it's the notion that accepting differences is no longer good enough, you have to be complicit in them. The problem we have with the Hollywood left it's the notion that any differing opinion is a threat to your very way of existence but never the opposite. The problem we have with the Hollywood left is the blatant hypocrisy of claiming to care about democracy well on abashedly striving to take control of every step of the political process. The problem we have with the Hollywood left is the notion that any idea or opinion outside of your own ideology is morally repugnant and therefore needs to be silenced. The problem we have with the Hollywood left is the notion that your goals must be achieved using everyone resources regardless on whether they agree. The problem we have with the Hollywood left is their supporting of rights situationally when convenient and the outright rejection of those rights when it's in it's the inconvenient for you. The problem we have with the Hollywood left isthat somehow you know what's best for me enough to allow the government to make that choice for me The problem we have with the Hollywood left it's their failure to see the irony in labeling anyone different than yourself as an extremist or a fundamentalist. Originally written by Jason Blood. Edited for this page.

Just because someone’s name appeared in Red Channels, that doesn’t mean they were blacklisted. It just means there name appeared in Red Channels.

Just because a person said they were blacklisted doesn’t mean they were. Many people in Hollywood have lied about being blacklisted over the years.

If a person was actually blacklisted…and not many were actually blacklisted….it was the studios and TV sponsors who blacklisted them. Not the United States federal government.

If a person claims the blacklist ruined their career, they should be able to prove they had a career before the blacklist.

For the most part, front organizations assumed the character of either a mass or membership organization or a paper organization. Both solicited and used names of prominent persons. Literally hundreds of groups and organizations have either been infiltrated or organized primarily to accomplish the purposes of promoting the interests of the Soviet Union in the United States, the promotion of Soviet war and peace aims, the exploitation of Negroes in the United States, work among foreign-language groups, and to secure a favorable viewpoint toward the Communists in domestic, political, social, and economic issues. The first requisite for front organizations is an idealistic sounding title. Hundreds of such organizations have come into being and have gone out of existence when their true purposes have become known or exposed while others with high-sounding names are continually springing up. J. Edgar Hoover on the subject of Communist front organizations. March 26, 1947