It isn’t clear how any one could
reach the conclusion that Hilda Simms (1918-1994) was blacklisted from
Hollywood. Especially in a Hollywood which, at that time, rarely used black
female actress outside of walk-on roles. It seems easier to blame the blacklist
for her lack of work instead of racism in the film colony.
The United States Department of
Justice denied her passport in 1955 and canceled her scheduled 14-week USO tour
of the Armed Forces in Europe. Justice yanked her passport at the demand of the
US Defense Department who were wary of her work with the New York Communist
Party in the late 1930s and early 1940s. Defense thought it was best not to
allow her on bases that contained sensitive material.
During World War 11, before the
threat to the United States by the Communist world, Simms entertained troops
and made War Bond tours. The Defense Department decision was based on
speculation about her affiliation with the Communist Party in the late 1930s
and early 1940s. The decision caused her dozens of lost opportunities and any
chance of a film career evaporated. In 1960, Hilda penned an article titled "I'm
No Benedict Arnold," which told her side of the story.
"If they think I’m a
Communist, they're dead wrong,'' she said. "I am not now, nor have I ever
been a Communist. I am not an enemy of my country. Both my husband and I have
had security clearances time and time again in World War 11”
It was at this point, late 1955,
that Simms career was supposedly ruined due her being blacklisted. She didn’t
work in film or television for four years.
1944
Anna Lucasta (Broadway Aug 30,
1944 - Nov 30, 1946)
1949
Champion (Film)
Maid (uncredited)
1951
"Hassan" at the
Cambridge Theatre in London, England
1953
The Joe Louis Story (Film)
1954
Black Widow (Film)
1955
Repertory Theatre (TV Series)
1960
The Cool World
The Cool World (2 performances).
1962-1964
Nurses (TV Program
1963
Radio, Host, Ladies Day, on New
York's WOV.
1965
Director of the Creative Arts
Program for the New York State Commission for Human Rights
1970s through the early 1990s,
vocational specialist at the Addiction
Research and Treatment Corporation, where she created a "theatre
therapy" program, and did other creative initiatives with participants in
the clinics.