The Hollywood Blacklist Myth : Norman Lloyd wasn't blacklisted or gray listed or any other kind of listed that would harm his career

Norman Lloyd (born Norman Perlmutter; November 8, 1914) called “A marginal victim of the Hollywood blacklist” but even that isn’t true. There isn’t one year in the entire 1950s when Lloyd wasn’t gainfully employed in Hollywood.

1950

King Lear (Stage)

December 25, 1950 – February 3, 1951

Buccaneer's Girl (Director)

The Flame and the Arrow (Director)

Apollo (Film-actor)

Buccaneer's Girl (Film actor)

1951

The Cocktail Party (director)

The Adventures of Kit Carson (TV Series)

The Light Touch

He Ran All the Way

Flame of Stamboul

1952

The Lady's Not for Burning (director)

1952-1955

Omnibus (TV Series) (6 episodes)

Chevron Theatre (TV Series) (8 episodes)

Gruen Guild Theater (TV Series) (3 episodes)

Limelight (Film-actor)

1953

I Am a Camera (director)

1954

Madame Will You Walk (Stage)

Madame Will You Walk (director)

The Winslow Boy (Director)

The Pepsi-Cola Playhouse (TV Series) (3 episodes)

The Caine Mutiny (Broadway-1954-1955)

1955

Don Juan in Hell (Stage)

The Rainmaker (Director)

Word to the Wives... (Short)

The Caine Mutiny (Broadway-1954-1955)

1956

Measure for Measure (Stage)

The Taming of the Shrew (Director)

The United States Steel Hour (TV Series)

Kraft Theatre (TV Series)

1957

Alfred Hitchcock Presents (TV series) Producer 1957-1962 184 episodes

The Joseph Cotten Show: On Trial (TV series)

General Electric Theater (TV series)

Suspicion (TV Series) (assistant to the producer - 6 episodes, 1957 - 1958) (assistant to producer - 1 episode, 1957)

1958

Alfred Hitchcock Presents (TV series)

1959

Alcoa Presents: One Step Beyond (TV series)

The problems we have with the Hollywood left

The problem we have with the Hollywood left is it's the notion that accepting differences is no longer good enough, you have to be complicit in them. The problem we have with the Hollywood left it's the notion that any differing opinion is a threat to your very way of existence but never the opposite. The problem we have with the Hollywood left is the blatant hypocrisy of claiming to care about democracy well on abashedly striving to take control of every step of the political process. The problem we have with the Hollywood left is the notion that any idea or opinion outside of your own ideology is morally repugnant and therefore needs to be silenced. The problem we have with the Hollywood left is the notion that your goals must be achieved using everyone resources regardless on whether they agree. The problem we have with the Hollywood left is their supporting of rights situationally when convenient and the outright rejection of those rights when it's in it's the inconvenient for you. The problem we have with the Hollywood left isthat somehow you know what's best for me enough to allow the government to make that choice for me The problem we have with the Hollywood left it's their failure to see the irony in labeling anyone different than yourself as an extremist or a fundamentalist. Originally written by Jason Blood. Edited for this page.